Second Shore (2025)
Songs for tenor and chamber orchestra, 12′
Commissioned by ROCO.
Libretto by Viet Cuong.

A Moment’s Oblivion (2025)
Cantata for tenor and baroque ensemble (baroque oboe, baroque violin, viola da gamba, harpsichord), 16′
Commissioned by Les Délices.
Libretto by David Lucas.

Autumn Triptych (2023)
Song cycle for soprano and chamber wind ensemble (Grade 5), 16′
Commissioned by University of the Pacific, Vu Nguyen, Director; University of Memphis, Albert Nguyen, Director; Washington State University, Danh Pham, Director; and the United States Army Field Band (for III. Thu Điếu).

Still So Much To Say (2021)
For choir, 4′
Commissioned by The Crossing.

Noise Suppression (2020)
For countertenor, oboe, clarinet, bassoon, 4′
Commissioned by the New York Philharmonic for NY Phil Bandwagon.
Dedicated to Anthony Roth Costanzo.

O Do Not Love Too Long (2018), 4′
For tenor (or baritone) and piano.

Thu Điếu (2017)
For soprano, winds (fl, cl, bsn), harp, and string quartet, 6′
Commissioned by the Vietnamese American Society for Creative Arts and Music
For P.Q. Phan.

There (2017), 8′
For chamber choir and winds (Grade 4)
Commissioned by the University of Tennessee at Martin.
Sets “There” from Supernatural Songs by William Butler Yeats.

A Needle’s Eye (2015)
For countertenor, two tenors, baritone, bass, 6′
Written for Gallicantus.