Concertos
Re(new)al, 15′
Concerto for percussion quartet.
Commissioned by the Albany Symphony & GE Renewal Energy.
Dedicated to Sandbox Percussion.
Sinfonietta version (2017): soloists, 1-1-1-1, sop. sax, bari. sax, 1-1-1, piano, 1-1-1-1-1.
Full orchestra version (2018): soloists, 2(1+2=picc)-2-2-2, 4-2-3-1, timp+3, piano, strings.
Reduced orchestra version (2021): soloists, 2(1+2=picc)-2-2-2, 2-2-1, piano, strings.
Higher Ground: Concerto for Tuba (2019, rev. 2024), 18′
Orchestral version commissioned by the Albany Symphony. Original version commissioned by a consortium of wind ensembles led by Purdue University Fort Wayne, Dr. Daniel Tembras, conductor.
3(3=picc)-2-3-2, 4-3-3-1, timp+3, tuba soloist, strings.
Extra(ordinarily) Fancy (2019), 11′
Concerto for two oboes and chamber orchestra.
Commissioned by the Kaleidoscope Chamber Orchestra.
1-2(soloists)-1-1, 2-1-1, 2 perc, harpsichord, strings.
Vital Sines (2022, ’23), 16′
Concerto for Eighth Blackbird.
Orchestral version commissioned by the Pacific Symphony, Carl St. Clair, Music Director. Original version commissioned for Eighth Blackbird through the generous support of The U.S. Navy Band.
Stargazer (2023, rev. 2025), 17′
Concerto for piano.
Commissioned by the California Symphony and dedicated to Sarah Cahill.
2-2-2-2, 4-3-3-1, timp+3, piano soloist, strings.
Shorter Works (5-10′)
Ladders (2025), 9′
Commissioned by the Los Angeles Philharmonic, Gustavo Dudamel, Music and Artistic Director.
2-2-2-2, 2-2-2-1, 3 perc, piano, strings.
John and Jim (2024, ’25), 7′
Orchestral version commissioned by the National Orchestral Institute. Original version commissioned by the Columbus Pride Bands and the Queen City Freedom Band of Cincinnati.
2-2-2-2, 4-3-3-1, timp+3, 2 harps, strings.
Across the Bridge (2024), 7.5′
Commissioned by the Minnesota Orchestra for their 2025 Lunar New Year Celebration.
3(3=picc)-3(3=EH)-3-2, 4-3-3-1, timp+3, piano, harp, strings.
Next Week’s Trees (2021, rev. 2023), 8′
For string orchestra.
Commissioned by the California Symphony.
Elevators (2024), 8′ – currently under revision
Commissioned by the Baltimore Symphony Orchestra, Jonathan Hayward, Music Director and The Clarice Smith Performing Arts Center’s National Orchestral Institute + Festival at the University of Maryland, College Park.
3(3=picc)-3(3=EH)-3(3=Bs Cl)-3(3=Contrabsn), 4-3-3-1, timp+4, piano, harp, strings.
Chance of Rain (2023), 6′ – currently under revision
Commissioned by the California Symphony.
2-2(2=EH)-2-2, 4-3-3-1, timp+3, piano, strings.
Electric Aroma (a most disagreeable noise) (2018), 8′
For sinfonietta.
Written for Alarm Will Sound for the 2018 Mizzou International Composers Festival.
1-1-2-1, 1-1-1, 2 perc, piano, 1-1-1-1-1.
Moxie (2018), 8′
For orchestra.
Written for the Curtis Symphony Orchestra.
4-3-3-2(contra), 4-3-3-1, timp+4, piano, harp, strings.
Longer Works (10-20′)
Time and Time Again (2026), 14′
Commissioned by the Orpheus Chamber Orchestra and The Clarice Smith Performing Arts Center’s National Orchestral Institute + Festival at the University of Maryland.
1-1-1-1, 1-1, 1 timp/perc, strings.
Music of the While (2025), 13′ – currently under exclusivity.
Commissioned for Present Music by Randall Lindert, in memory of Cecile Cheng, and Christine Rundblad.
1-1-1-1, tpt, 2 perc, electric gtr, piano, strings.
Marine Layer (2025), 15′
Commissioned by the Pacific Symphony, Carl St. Clair, Music Director.
2-3(3=EH)-3-2, 4-2-3-1, timp+3, piano, harp, strings.
Orbital (2023), 14′
Commissioned by the Albany Symphony, David Alan Miller, Music Director.
2(2=picc)-2(2=EH)-2-2, 4-3-3-1, timp+3, strings.
Constellations (2023), 14′
Commissioned by ROCO.
2-2(2=EH)-2-2, 2-2-2, timp+2, piano/celesta, harp, strings.
Chamber Orchestra
Time and Time Again (2026), 14′
Commissioned by the Orpheus Chamber Orchestra and The Clarice Smith Performing Arts Center’s National Orchestral Institute + Festival at the University of Maryland.
1-1-1-1, 1-1, 1 timp/perc, strings.
Extra(ordinarily) Fancy (2019), 11′
Concerto for two oboes and chamber orchestra.
Commissioned by the Kaleidoscope Chamber Orchestra.
1-2(soloists)-1-1, 2-1-1, 2 perc, harpsichord, strings.
Re(new)al, 15′
Concerto for percussion quartet.
Commissioned by the Albany Symphony & GE Renewal Energy.
Dedicated to Sandbox Percussion.
Sinfonietta version (2017): soloists, 1-1-1-1, sop. sax, bari. sax, 1-1-1, piano, 1-1-1-1-1.
Reduced orchestra version (2021): soloists, 2(1+2=picc)-2-2-2, 2-2-1, piano, strings.
Music of the While (2025), 13′ – currently under exclusivity.
Commissioned for Present Music by Randall Lindert, in memory of Cecile Cheng, and Christine Rundblad.
1-1-1-1, tpt, 2 perc, electric gtr, piano, strings.
Constellations (2023), 14′
Commissioned by ROCO.
2-2(2=EH)-2-2, 2-2-2, timp+2, piano/celesta, harp, strings.
Electric Aroma (a most disagreeable noise) (2018), 8′
For sinfonietta.
Written for Alarm Will Sound for the 2018 Mizzou International Composers Festival.
1-1-2-1, 1-1-1, 2 perc, piano, 1-1-1-1-1.
String Orchestra
Next Week’s Trees (2021, rev. 2023), 8′
For string orchestra.
Commissioned by the California Symphony.
All Orchestral Works:
Time and Time Again (2026), 14′
Commissioned by the Orpheus Chamber Orchestra and The Clarice Smith Performing Arts Center’s National Orchestral Institute + Festival at the University of Maryland.
1-1-1-1, 1-1, 1 timp/perc, strings.
Ladders (2025), 9′
Commissioned by the Los Angeles Philharmonic, Gustavo Dudamel, Music and Artistic Director.
2-2-2-2, 2-2-2-1, 3 perc, piano, strings.
Music of the While (2025), 13′ – currently under exclusivity.
Commissioned for Present Music by Randall Lindert, in memory of Cecile Cheng, and Christine Rundblad.
1-1-1-1, tpt, 2 perc, electric gtr, piano, strings.
Marine Layer (2025), 15′
Commissioned by the Pacific Symphony, Carl St. Clair, Music Director.
2-3(3=EH)-3-2, 4-2-3-1, timp+3, piano, harp, strings.
Stargazer (2023, rev. 2025), 17′
Concerto for Piano.
Commissioned by the California Symphony and dedicated to Sarah Cahill.
2-2-2-2, 4-3-3-1, timp+3, piano soloist, strings.
John and Jim (2024, ’25), 7′
Orchestral version commissioned by the National Orchestral Institute. Original version commissioned by the Columbus Pride Bands and the Queen City Freedom Band of Cincinnati.
2-2-2-2, 4-3-3-1, timp+3, 2 harps, strings.
Higher Ground: Concerto for Tuba (2019, rev. 2024), 18′
Orchestral version commissioned by the Albany Symphony. Original version commissioned by a consortium of wind ensembles led by Purdue University Fort Wayne, Dr. Daniel Tembras, conductor.
3(3=picc)-2-3-2, 4-3-3-1, timp+3, tuba soloist, strings.
Across the Bridge (2024), 7.5′
Commissioned by the Minnesota Orchestra for their 2025 Lunar New Year Celebration.
3(3=picc)-3(3=EH)-3-2, 4-3-3-1, timp+3, piano, harp, strings.
Elevators (2024), 8′
Commissioned by the Baltimore Symphony Orchestra, Jonathan Hayward, Music Director and The Clarice Smith Performing Arts Center’s National Orchestral Institute + Festival at the University of Maryland, College Park.
3(3=picc)-3(3=EH)-3(3=Bs Cl)-3(3=Contrabsn), 4-3-3-1, timp+4, piano, harp, strings.
Orbital (2023), 14′
Commissioned by the Albany Symphony, David Alan Miller, Music Director.
2(2=picc)-2(2=EH)-2-2, 4-3-3-1, timp+3, strings.
Constellations (2023), 14′
Commissioned by ROCO.
2-2(2=EH)-2-2, 2-2-2, timp+2, piano/celesta, harp, strings.
Chance of Rain (2023), 6′ – currently under revision
Commissioned by the California Symphony.
2-2(2=EH)-2-2, 4-3-3-1, timp+3, piano, strings.
Vital Sines (2022, ’23), 16′
Concerto for Eighth Blackbird.
Orchestral version commissioned by the Pacific Symphony, Carl St. Clair, Music Director. Original version commissioned for Eighth Blackbird through the generous support of The U.S. Navy Band.
Next Week’s Trees (2021, rev. 2023), 8′
For string orchestra.
Commissioned by the California Symphony.
Extra(ordinarily) Fancy (2019), 11′
Concerto for two oboes and chamber orchestra.
Commissioned by the Kaleidoscope Chamber Orchestra.
1-2(soloists)-1-1, 2-1-1, 2 perc, harpsichord, strings.
Re(new)al, 15′
Concerto for percussion quartet.
Commissioned by the Albany Symphony & GE Renewal Energy.
Dedicated to Sandbox Percussion.
Sinfonietta version (2017): soloists, 1-1-1-1, sop. sax, bari. sax, 1-1-1, piano, 1-1-1-1-1.
Full orchestra version (2018): soloists, 2(1+2=picc)-2-2-2, 4-2-3-1, timp+3, piano, strings.
Reduced orchestra version (2021): soloists, 2(1+2=picc)-2-2-2, 2-2-1, piano, strings.
Electric Aroma (a most disagreeable noise) (2018), 8′
For sinfonietta.
Written for Alarm Will Sound for the 2018 Mizzou International Composers Festival.
1-1-2-1, 1-1-1, 2 perc, piano, 1-1-1-1-1.
Moxie (2018), 8′
For orchestra.
Written for the Curtis Symphony Orchestra.
4-3-3-2(contra), 4-3-3-1, timp+4, piano, harp, strings.