Next Week’s Trees (2021), 8′
For string orchestra.
Commissioned by the California Symphony.

Extra(ordinarily) Fancy (2019), 11′
Concerto for Two Oboes
For chamber orchestra: 1-2(soloists)-1-1, 2-1-1, 2 perc, harpsichord, strings.
Commissioned by the Kaleidoscope Chamber Orchestra.

Re(new)al (2017-18), 16′
Percussion Quartet Concerto
Sinfonietta version: soloists, 1-1-1-1, sop. sax, bari sax, 1-1-1, piano, 1-1-1-1-1.
Full orchestra version: soloists, 2-2-2-2, 4-2-3-1, timp+3, piano, strings.
Commissioned by the Albany Symphony and GE Renewable Energy.
Dedicated to Sandbox Percussion.

Bullish (2019), 7′
For chamber orchestra: 2(picc)-2(EH)-2-2(contra), 2-2, timp+2, strings.
Written for the Orchestra of St. Luke’s DeGaetano Composition Institute.

Electric Aroma (a most disagreeable noise) (2018), 8′
For sinfonietta: 1-1-2-1, 1-1-1, 2 perc, piano, 1-1-1-1-1.
Written for Alarm Will Sound for the 2018 Mizzou International Composers Festival.

Moxie (2018), 8′
For orchestra: 4-3-3-2(contra), 4-3-3-1, timp+4, piano, harp, strings.
Written for the Curtis Symphony Orchestra.
Selected for the 2019 Minnesota Orchestra Composers Institute.

Neon (2016), 11′
For orchestra: 3-3-3-2(contra), 4-2-3-1, timp+3, piano, strings.
Commissioned by the New York Youth Symphony First Music Program; Joshua Gersen, conductor.

Scribbles and Riddles (2016), 6′
For orchestra: 2-2-2-2(contra), 2-2-2-1, timp+4, strings.
Written for the Cabrillo Young Composers & Conductors Workshop; Nathan Aspinall and James Blachly, conductors.

The Wild Woods: Prelude to Prokofiev’s Peter and the Wolf (2016), 13′
For chamber orchestra and narrator: 1-1-1-1, 3-1-1-0, timp+2, strings.
Commissioned by the Winston-Salem Symphony; Stephen Mulligan, conductor.

Nothing If Not (2015), 14′
For double woodwinds, piano, bass, & percussion.
Written for the American Modern Ensemble.