Electric Aroma (a most disagreeable noise) (2018)
for sinfonietta: 1-1-2-1, 1-1-1, 2 perc, piano, 1-1-1-1-1, 8′
written for Alarm Will Sound for the 2018 Mizzou International Composers Festival

Moxie (2018)
for orchestra: 4-3-3-2(contra), 4-3-3-1, timp+4, piano, harp, strings, 8′
written for the Curtis Symphony Orchestra
selected for the 2019 Minnesota Orchestra Composers Institute

Re(new)al (2017)
concerto for percussion quartet and sinfonietta, 16′
commissioned by the Albany Symphony and General Electric (GE) Renewable Energy
dedicated to Sandbox Percussion

Neon (2016)
for orchestra: 3-3-3-2(contra), 4-2-3-1, timp+3, piano, strings, 11′
written for the New York Youth Symphony
commissioned by the NYYS First Music Program; Joshua Gersen, conductor

Scribbles and Riddles (2016)
for orchestra: 2-2-2-2(contra), 2-2-2-1, timp+4, strings, 6′
for the Cabrillo Festival Orchestra
written for the Cabrillo Young Composers & Conductors Workshop; Nathan Aspinall and James Blachly, conductors

The Wild Woods (2016)
prelude to Prokofiev’s Peter and the Wolf
for chamber orchestra and narrator: 1-1-1-1, 3-1-1-0, timp+2, strings, 13′
commissioned by the Winston-Salem Symphony; Stephen Mulligan, conductor; Paul Brown, narrator

Nothing If Not (2015)
for double woodwinds, piano, bass, & percussion, 14′
written for the American Modern Ensemble

Baser Nature (2013)
for full orchestra: 3(picc)-3(EH)-3-3(contra), 4-2-3-1, timp+2, hp, pno, strings, 7′
commissioned by the Occasional Symphony