Large Ensemble

WIND BAND:

Moth (2013)
for wind band, 8′
commissioned by the Brooklyn Wind Symphony

Sound and Smoke (2011)
for wind band, 14′
winner of the 2012 Walter Beeler Memorial Prize from Ithaca College

Diamond Tide (2015)
for wind band (Grade 3/3.5), 8′
commissioned by the TMEA Region 18 Middle School Bands

There (2017)
for chamber choir and winds, 7′
commissioned by the University of Tennessee at Martin
sets “There” from Supernatural Songs by William Butler Yeats

[upcoming] (2017), 7′
for professional trombonist and young band
commissioned by Tim Smith

Re(new)al (2018, upcoming)
concerto for percussion quartet and wind ensemble, 16′
adaptation for wind ensemble.
consortium is now open: please contact Viet for more information!


 
ORCHESTRA/OTHER:

In Autumn (2017)
for soprano, winds (1-1-1-1), harp, and string quartet, 7′
commissioned by the Vietnamese American Society for Creative Arts and Music
for P.Q. Phan

Re(new)al (2017)
concerto for percussion quartet and sinfonietta, 16′
commissioned by the Albany Symphony and General Electric (GE) Renewable Energy
dedicated to Sandbox Percussion

Neon (2016)
for large symphonic orchestra
written for the New York Youth Symphony, 10′
commissioned by the NYYS First Music Program; Joshua Gersen, conductor

Scribbles and Riddles (2016)
for orchestra: 2-2-2-2(contra), 2-2-2-1, timp+4, strings, 6′
for the Cabrillo Festival Orchestra
written for the Cabrillo Young Composers & Conductors Workshop; Nathan Aspinall and James Blachly, conductors

The Wild Woods (2016)
prelude to Prokofiev’s Peter and the Wolf
for chamber orchestra and narrator: 1-1-1-1, 3-1-1-0, timp+2, strings, 13′
commissioned by the Winston-Salem Symphony; Stephen Mulligan, conductor; Paul Brown, narrator

Nothing If Not (2015)
for double woodwinds, piano, bass, & percussion, 14′
written for the American Modern Ensemble

Baser Nature (2013)
for full orchestra: 3(picc)-3(EH)-3-3(contra), 4-2-3-1, timp+2, hp, pno, strings, 7′
commissioned by the Occasional Symphony