Chamber

Extra Fancy (2017)
for two oboes, English horn, & two bassoons, 7′
commissioned by Brad Balliett and the Experiential Orchestra

Commitment Bed (2016)
for string quartet, 10′
written for the JACK Quartet

A Needle’s Eye (2015)
for countertenor, two tenors, baritone, bass, 6′
written for Gallicantus

Water, Wine, Brandy, Brine (2015)
for percussion quartet (15 crystal glasses), 13′
written for Sō Percussion

Prized Possessions (2014-15)
for saxophone quartet, 12′
written for the PRISM Quartet

Wax and Wire (2014)
for clarinet, violin, cello, piano, 7′
written for the Copland House’s CULTIVATE Institute
winner of the 2015 Suzanne and Lee Ettelson Composition Award from Composers, Inc.

Windmill (2013)
for flute, violin, cello, percussion, 7′
commissioned by the Cadillac Moon Ensemble

Cosmetic Collection (2012-13)
pieces for flute and piano
      1. Bedazzler (2013)
      (for flute alone, 4′)
      2. Lacquer and Grit (2012)
      (for flute and piano, 10′)
      3. Veil (2013)
      (for piano alone, 8′)
*pieces may be performed separately

Trains of Thought (2012)
for oboe, bassoon, piano, 11′
commissioned by the Poulenc Trio

Pulse Train (2010)
for flute, clarinet, violin, viola, cello, percussion, piano 7′

Suite (2010)
for two oboes and English horn, 12′
winner of the 2013 ASCAP Morton Gould Young Composer Award

Tourbillon (2009)
for marimba and string quartet, 8′